{"id":5033,"date":"2017-06-11T22:28:38","date_gmt":"2017-06-11T20:28:38","guid":{"rendered":"http:\/\/www.kameli.net\/marq\/?p=5033"},"modified":"2017-06-11T22:32:47","modified_gmt":"2017-06-11T20:32:47","slug":"elake-ja-testamenttilankkarit","status":"publish","type":"post","link":"http:\/\/www.kameli.net\/marq\/?p=5033","title":{"rendered":"El\u00e4ke- ja testamenttil\u00e4nkk\u00e4rit"},"content":{"rendered":"<p>Lukuisien alalajien joukosta hahmottui taas uusi: testamenttil\u00e4nkk\u00e4rit, joissa pitk\u00e4n uran westerneiss\u00e4 tehnyt n\u00e4yttelij\u00e4 p\u00e4\u00e4tt\u00e4\u00e4 uransa ainakin kyseisen genren osalta ja siirtyy el\u00e4kkeelle. N\u00e4ihin leffoihin sis\u00e4ltyy tyypillisesti vanhuuden, kuolemisen ja luopumisen tematiikkaa. Alalaji on samalla vahvasti p\u00e4\u00e4llekk\u00e4inen usein n\u00e4hdyn &#8220;villin l\u00e4nnen loppu&#8221; -tematiikan kanssa (esimerkiksi kaikki Peckinpahin l\u00e4nkk\u00e4rith\u00e4n ovat juuri t\u00e4t\u00e4). Joillekin ei riitt\u00e4nyt yksi exit, vaan el\u00e4k\u00f6itymisi\u00e4 tehtiin useampikin. Jokunen erityisesti mieleen j\u00e4\u00e4nyt esimerkki:<\/p>\n<ul>\n<li><em>Ride the High Country<\/em> (1962): Randolph Scottin paitsi viimeinen l\u00e4nkk\u00e4ri, my\u00f6s viimeinen elokuva. Toista ik\u00e4\u00e4ntyv\u00e4\u00e4 kovanaamaa esitt\u00e4v\u00e4 Joel McCrea teki viel\u00e4 muutaman.<\/li>\n<li><em>My Name is Nobody<\/em> (1973): V\u00e4synyt pyssysankari Henry Fonda katselee silm\u00e4t py\u00f6rein\u00e4 Terence Hillin velmuilua. Ei valitettavasti mik\u00e4\u00e4n kunniakkaan uran loppuhuipennus.<\/li>\n<li><em>The Shootist<\/em> (1976): T\u00e4m\u00e4n my\u00f6t\u00e4 n\u00e4ytt\u00e4m\u00f6lt\u00e4 poistui John Wayne. Leffassa on vahvaa kuolemateemaa, ja Wayne menehtyi itse oikeastikin\u00a0kolmen vuoden p\u00e4\u00e4st\u00e4. Jo vuoden 1973 <em>The Cowboysiss\u00e4<\/em> oli samaa henke\u00e4.<\/li>\n<li><em>Once upon a Texas Train<\/em> (1988): T\u00e4m\u00e4 on oikein el\u00e4k\u00f6itymisen j\u00e4ttipotti. Mukana gubbemenossa mm. Richard Widmark, Jack Elam, Chuck Connors, Hank Worden ja Willie Nelson.<\/li>\n<li><em>Unforgiven<\/em> (1992): P\u00e4\u00e4asiassa Clintin tilinp\u00e4\u00e4t\u00f6s, jossa yht\u00e4\u00e4n l\u00e4nnenklisett\u00e4 ei j\u00e4tet\u00e4 kyseenalaistamatta. Hieman samoissa tunnelmissa my\u00f6s Gene Hackman ja etenkin Richard Harris, vaikkei kummallakaan aivan viimeiseksi l\u00e4nkk\u00e4riksi j\u00e4\u00e4nytk\u00e4\u00e4n.<\/li>\n<li><em>The Quick and the Dead<\/em> (1995): Sivuosaexitiss\u00e4 n\u00e4hd\u00e4\u00e4n itse Woody Strode hauturina.<\/li>\n<\/ul>\n<p>Ajattelin <em>Monte Walshin<\/em> (1970) kuuluvan t\u00e4h\u00e4n sarjaan, mutta vaikka leffa olisikin erinomainen el\u00e4kewesterni, n\u00e4ytteliv\u00e4t sek\u00e4 Jack Palance ett\u00e4 Lee Marvin viel\u00e4 muissakin. Marvinin lopetukseksi voisi v\u00e4lj\u00e4sti ottaen laskea <em>The Spikes Gangin<\/em> (1974).<\/p>\n\n\t\t<style>\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-1 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-1' class='gallery galleryid-5033 gallery-columns-3 gallery-size-thumbnail'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='http:\/\/www.kameli.net\/marq\/wp-content\/uploads\/2017\/06\/ridethehighcountry.png'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"http:\/\/www.kameli.net\/marq\/wp-content\/uploads\/2017\/06\/ridethehighcountry-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-5039\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-5039'>\n\t\t\t\tRide the High Country\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='http:\/\/www.kameli.net\/marq\/wp-content\/uploads\/2017\/06\/nobody.png'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"http:\/\/www.kameli.net\/marq\/wp-content\/uploads\/2017\/06\/nobody-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-5038\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-5038'>\n\t\t\t\tMy Name Is Nobody\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='http:\/\/www.kameli.net\/marq\/wp-content\/uploads\/2017\/06\/theshootist.png'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"http:\/\/www.kameli.net\/marq\/wp-content\/uploads\/2017\/06\/theshootist-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-5037\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-5037'>\n\t\t\t\tThe Shootist\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='http:\/\/www.kameli.net\/marq\/wp-content\/uploads\/2017\/06\/onceuponatexastrain.png'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"http:\/\/www.kameli.net\/marq\/wp-content\/uploads\/2017\/06\/onceuponatexastrain-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-5036\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-5036'>\n\t\t\t\tOnce upon a Texas Train\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='http:\/\/www.kameli.net\/marq\/wp-content\/uploads\/2017\/06\/unforgiven.png'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"http:\/\/www.kameli.net\/marq\/wp-content\/uploads\/2017\/06\/unforgiven-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-5035\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-5035'>\n\t\t\t\tUnforgiven\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='http:\/\/www.kameli.net\/marq\/wp-content\/uploads\/2017\/06\/thequickandthedead.png'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"http:\/\/www.kameli.net\/marq\/wp-content\/uploads\/2017\/06\/thequickandthedead-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-5034\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-5034'>\n\t\t\t\tThe Quick and the Dead\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>Lukuisien alalajien joukosta hahmottui taas uusi: testamenttil\u00e4nkk\u00e4rit, joissa pitk\u00e4n uran westerneiss\u00e4 tehnyt n\u00e4yttelij\u00e4 p\u00e4\u00e4tt\u00e4\u00e4 uransa ainakin kyseisen genren osalta ja siirtyy el\u00e4kkeelle. N\u00e4ihin leffoihin sis\u00e4ltyy tyypillisesti vanhuuden, kuolemisen ja luopumisen tematiikkaa. Alalaji on samalla vahvasti p\u00e4\u00e4llekk\u00e4inen usein n\u00e4hdyn &#8220;villin l\u00e4nnen loppu&#8221; -tematiikan kanssa (esimerkiksi kaikki Peckinpahin l\u00e4nkk\u00e4rith\u00e4n ovat juuri t\u00e4t\u00e4). Joillekin ei riitt\u00e4nyt yksi exit, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[27],"tags":[],"class_list":["post-5033","post","type-post","status-publish","format-standard","hentry","category-leffat"],"_links":{"self":[{"href":"http:\/\/www.kameli.net\/marq\/index.php?rest_route=\/wp\/v2\/posts\/5033","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.kameli.net\/marq\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.kameli.net\/marq\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.kameli.net\/marq\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.kameli.net\/marq\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5033"}],"version-history":[{"count":3,"href":"http:\/\/www.kameli.net\/marq\/index.php?rest_route=\/wp\/v2\/posts\/5033\/revisions"}],"predecessor-version":[{"id":5042,"href":"http:\/\/www.kameli.net\/marq\/index.php?rest_route=\/wp\/v2\/posts\/5033\/revisions\/5042"}],"wp:attachment":[{"href":"http:\/\/www.kameli.net\/marq\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5033"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.kameli.net\/marq\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5033"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.kameli.net\/marq\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5033"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}